I’m mindful that we must be creative with protest because of the recent laws enacted in the UK. So I explored something that would express how I felt about the suppression of protest whilst also matching up with my music.
Everything we do is performance, or storytelling, to an extent. Access to the ‘true self is not something we decide or can even seek.
Placing negativity in art as a form of self-care and wearing dead relatives’ clothing as a form of connection are just two of the subjects of this interview with Sofia Martins Gary, the front person of Starsha Lee.
Your press release ends on the line ‘Everything continues without you.’ I wish that was a line in the song!…
Any interview that undertakes the hefty but worthy task of presenting tAngerinecAt can only ever hope to offer a glimpse…
Were there any contradictory elements in your original thoughts on your last book ‘Sad Boy Aesthetics’, and if so, how…
Hailing from Brighton, ELLiS·D sings with an unapologetic honesty of the burden of guilt shouldered by today’s youth for the…
Challenging the government in court over PPE as an NHS doctor and perfecting deconstructionist activities on Indian cricket television, singing…
Maggie The Cat’s forthcoming album is described as simultaneously bewitching, erotic, menacing, and occasionally chilling. Is ‘I think Last Night,…
I chatted with Alt-pop upstart Lynks about saving their home, the Rising Sun Collective. This third part of their ongoing…
I’ve been listening to ‘The air in Utopia is poison’ several times, often skipping the first track because it freaks…
I asked Sofia Martins Gray about discovering the constituent parts that add up to make her ‘Starsha Lee’. Misogynistic attitudes…